What To Expect From the “Will & Grace” Revival

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The good news for TV fans everywhere is that “Will & Grace” – one of the most successful, Emmy-nominated comedy series in the history of primetime – is coming back to NBC in 2017. In January, NBC studio executives announced that they had placed a 10-episode order for a “Will & Grace” revival – and then later upped that order to 12 episodes in April. So what can we can expect from this star-studded comedy when it comes to TV in 2017?

#1: The same great cast, just ten years older

What’s remarkable about this “Will & Grace” revival is that NBC has convinced all four stars of the show – and all the show creators – to come back for the revival. That means fans of the show will get to see Debra Messing (who plays Grace Adler), Eric McCormack (who plays the gay lawyer Will Truman), Megan Mullally (who plays Karen Walker) and Sean Hayes (who plays Jack McFarland) reunited again.

From what we’ve seen from all the late-night TV shows where these stars have appeared, they all look almost exactly as they did back in May 2006, when the series ended after 8 wildly successful seasons. For example, Sean Hayes was on the “Jimmy Kimmel Show,” saying how excited he was to see everyone again, and that nobody seems to have aged in 10 years.

That leads to an interesting question for the show’s creators: Do they acknowledge that 10 years have passed since the comedy was last on TV – enough time for everyone to grow up and grow apart, perhaps with new families or new significant others – or do they create a fictional narrative that picks up just 12 or 24 months after the events of the comedy from 2006?

With most revivals, this would be a no-brainer – usually the characters look so much older, that it’s impossible to pretend that things are still the same. But in the case of “Will & Grace,” that’s not necessarily the case.

#2: A series updated for the sensibilities of the Trump era

What convinced NBC studio executives to give “Will & Grace” a revival was the spectacular success of a YouTube video that the cast created back in September 2016 by the cast. The video was a 10-minute special that urged Americans to vote in the upcoming presidential election. The YouTube video contained a lot of jokes about Trump and his team, and was directed against his treatment of both ethnic minorities and LGBT citizens.

For example, Megan Mullally came back as a flag-waving Trump supporter, utterly oblivious to Donald Trump’s worst attributes. That was in sharp opposition to Eric McCormack and Sean Hayes, who let go a barrage of anti-Trump jokes. So it’s quite possible that we could see an updating of “Will & Grace” for the sensibilities of the Trump era. Maybe “Will & Grace” will feature story lines of how the LGBT community is trying to resist Trump and his policies?

#3: More attention on LGBT issues

Not only was “Will & Grace” one of the smartest and funniest comedies on NBC ever, it was also one of the most successful TV series with openly gay characters as the main characters. The LGBT community has picked up the show, and even American politicians have heaped praise on the show for its courage in depicting gay and LGBT characters. So it’s perhaps to be expected that the revival of “Will & Grace” will continue to depict and portray issues that are central to the LGBT community.

For example, we might see episodes featuring protest rallies for the LGBT movement, or we might see some issues such as HIV/AIDS explored in greater detail. Maybe issues like gay marriage will be explored in greater detail.

#4: More great writing and scripts

As noted earlier, NBC is bringing back all of the show’s original creators. This is critical for so many reasons, most importantly because it means the show will continue to have some of the best scripts and dialogue on primetime TV. Over its spectacular eight-season run, “Will & Grace” actually picked up 16 Emmy wins and 83 Emmy nominations.

So we can expect to have more of the same great writing when “Will & Grace” returns in 2017. That means plenty of great dialogue, lots of great jokes, and plenty of the same fluid interaction between the show’s four stars that we’ve come to expect.

This is what will separate the revival of “Will & Grace” from other revivals. Usually, shows lose their focus over time, and bring in some celebrity producer or director to “update” the show in some new way. But that’s not what hard-core fans really want.

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#5: Knowing winks at show nostalgia

Consider the election-themed video that the cast created in 2016 – the reason why it became such a viral hit is because it tapped into the deep nostalgia of TV viewers. When the show first debuted back in September 1998, we were on the cusp of a new century, and it seemed like a very unique time period in American history. And so viewers are naturally very nostalgic about that time period.

It’s almost a given, then, that the show will try to wrap up all the loose ends from the series. As in most revivals, we’ll see cameo roles from some of the characters that were nearest and dearest to us. And we’ll learn how they’ve moved on with their lives.

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It’s almost a certainty that the “Will & Grace” revival will be a slam-dunk hit starting on the first night of viewing. The fact that NBC was so ready to green light the revival – and that all the star cast members immediately signed on – is further proof of just how much pent-up viewer demand there is for this show. This was simply one of the best shows on TV a decade ago, and it looks like the show has aged remarkably well, just like all the cast members. Most viewers will no doubt be eagerly awaiting all the funny scenes and dialogue featuring Will, Grace, Karen and Jack.

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How “House of Cards” Season 5 Stacks Up

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By now, viewers know what to expect from Netflix’s “House of Cards” – a bleak portrayal of the American political landscape in which the only constant is the relentless ambition for power. And that’s exactly what Season 5 of “House of Cards,” which debuted on Netflix on May 30, delivers.

1. Raw political ambition and the lust for political power

If anything, Season 5 of “House of Cards” is bleaker and more nihilistic than any of the preceding four seasons. We’re already used to the raw power ambitions of U.S. President Frank Underwood (played by Kevin Spacey) and First Lady Claire Underwood (played by Robin Wright), but now we’re convinced that nothing is ever going to change. In fact, if anything, it’s clear that America’s timeless traditions and institutions may be no match for the current powerbrokers in Washington.

There are scenes in Season 5 that have deep symbolic meanings – such as when Claire Underwood appears to trample an American eagle underfoot on a rug in the White House, or when Frank Underwood appears to wander the White House alone, almost like a ghost, while music plays at some party he has no intention of joining. The message is clear: America is now a waning power on the world stage, and there’s no idealistic young up-and-comer who is going to save the day.

In fact, one of the trademark plot twists in “House of Cards” is how even idealistic newcomers are quickly brought up to speed on how things happen in Washington, D.C. The people who survive are not those that have an ideology or who want to change the system – it is the people who spend all day thinking of ways to subvert the system to their own whims. They study constitutional law, not to understand how to protect the Constitution, but how to subvert it.

Even the war on terror becomes just another tool for political power consolidation. In Season 5, the Underwoods are intent on inflaming public fears about ICO (the show’s version of ISIS) in order to steadily erode constitutional rights and find loopholes to increase their own power.

2. An underlying pessimism about American institutions

“House of Cards” almost seems to celebrate the men and women who have no ideology and no guiding political philosophy. That, perhaps, is why so many critics have called this the bleakest “House of Cards” yet. There is a sense that any vestige of dignity has departed the office of the Presidency, and all we see, in episode after episode, is yet another lesson in how absolute power corrupts absolutely. The goal of power, it appears, is simply to get more power. In doing so, all the political actors in “House of Cards” go about their nefarious ways.

What is most disturbing about Season 5, perhaps, is that it is not just the men and women who are flawed – it is the very institutions keeping them in power. There is a sense that all the ideals, principles and careful checks and balances that the Founding Fathers had the foresight to create are nothing more than tools now in the hands of the wrong people.

And Frank Underwood has no shame whatsoever in rubbing this in our face. At one point, he turns to the camera and says, “You voted for me, America.” Thus, as easy as it might be to blame a single person (or power couple, as in the case of the Underwoods) for this low point in American politics, we only have ourselves to blame.

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3. The Trump context

Of course, you can now see why so many people are trying to make this season’s “House of Cards” a pointed commentary on the current political environment in Washington. The Trump presidency, in many ways, is a mirror image of the Underwood presidency. You have an egomaniac in the White House, using the Oval Office simply to advance his own ambitions and business brand.

The way that Frank Underwood humiliates his underlings, too, has an analogue in the way that Donald Trump likes to punish and humiliate his underlings – whether it’s forcing Sean Spicer to go out and give a press conference at the most inopportune time, or when it comes to directly contravening statements made by one of his inner circle via a late night Twitter outburst.

And, of course, the way that many say that President Trump has degraded the office of the presidency with his constant half-truths and reckless Executive Orders have a clear precedent in the Underwood presidency.

But here is the thing – whereas Frank Underwood has absolutely no underlying ideology or values, one could argue that Donald Trump is at least following some abstract notion of “making America great again.” In the case of Frank Underwood, it’s not so much a case of making America great – it’s about making himself great.

And many people fail to point out that Season 5 of “House of Cards” actually started production BEFORE Trump was ever elected. Thus, even though the show debuted almost exactly four months after Trump was sworn in, it actually had already been in production long before.

For liberals, Donald Trump is just a slightly more odious version of Frank Underwood. For conservatives, though, the double-dealing and corrupt Underwoods are a slightly more odious version of the Clintons. You can see why we’re at such a political impasse in America these days – both figures are so polarizing that there’s little or no opportunity to meet in the middle.

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So what to make of “House of Cards,” then? Many would argue that it has simply become too repetitive. The characters may change, but the plot does not. There is more scheming, more shifting of alliances and more egomaniacal attempts to subvert the system. Even the newcomers to Season 5 – Patricia Clarkson (as the deputy undersecretary of commerce for international trade) and Campbell Scott (as a top adviser to the President) – do little to change the underlying dynamic of the show.

But something very distinct has changed in the way that we view “House of Cards” in 2017. If, back in 2013 when the show first premiered, we thought that the Underwood presidency was pure fiction and too insidious to ever become true, we now realize that it is, indeed, possible. In fact, it may now be the case that fact is stranger than fiction. The naked power grab of the Trump presidency and all the inflamed rhetoric about making America great again may actually have the opposite effect – it may reveal just how low the American political system has fallen, and how the lust for power has become all-consuming on both sides of the political aisle.

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“Master of None” Season 2 Sparks Social Commentary and Conversation

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When Netflix signed up comedian Aziz Ansari to do a special original comedy series, they couldn’t have possibly expected that “Master of None” was going to spark so much social commentary and conversation. But Season 2 of the show has just absolutely changed the national conversation on so many topics, including LGBT issues and what it means to be a Indian-American.

The show, of course, is a fictional account of Aziz Ansari’s life in which Aziz plays Dev Shah, a 30-year-old New York actor. The show is “loosely based” on real-life experiences, including his travels abroad, his experiences in New York, and the friends and family members who have influenced him.

And here’s where things get really interesting. “Master of None” (the title of the show is a reference to the expression “Jack of all trades, master of none) was really meant to be more of an itinerant series, moving from here to there at whim, showing some funny scenes from Aziz’s life. (In Season 2, for example, Aziz winds up in Italy.)

That approach was a remarkably successful formula for Season 1 back in late 2015, when the show routinely made the list of “Best TV Show of 2015.” Critics loved the show, and ranked it as one of the Top 10 shows of the year. There was a lull, and then in May 2017, here came Season 2, fortified with 10 new episodes.

On the surface, perhaps, viewers weren’t expecting the series to become such a spark for social commentary. After all, one of the key plotlines of Season 2 was the character of Dev Shah going to Italy to learn how to make pasta. There were some funny scenes – like the one where Aziz Ansari and his friend accidentally get their car stuck between two buildings in Italy. But then came “Thanksgiving”…

In “Thanksgiving,” Dev shares the story of how he likes to celebrate Thanksgiving with his childhood friends since his parents do not celebrate the holiday. And one of his best friends from childhood (Denise, played by Lena Waithe) happens to be both black and queer. That led to the idea that the episode would feature Denise talking about her decision to “come out” and announce that she’s queer. The episode also featured Angela Bassett as Denise’s mom Catherine, and that’s where things became explosive – the mom is not so accepting of Denise, and that sparked a major conversation about LGBT life.

In fact, that one episode attracted so much buzz that Aziz Ansari and Lena Waithe did a special feature for New York Magazine’s Vulture blog, in which they broke down, scene by scene, how and why they decided to do the “Thanksgiving” episode. Lena Waithe is also gay in real-life, and was willing to share her own experiences and ideas about what it was like to come out on TV.

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And there have been other episodes that have also sparked social commentary. For example, Episode 3 (“Religion”) features Dev and his decision not to be a devout Muslim. He can’t possibly tell his parents that, so he has to fake it in front of them. That led to a lot of discussion in the media and entertainment blogs about Aziz’s “pork-fueled feud with his parents.”

More generally, it gets to the root of what it’s like to be Muslim in America. That’s a particularly sensitive topic right now, especially with all the discussion about a “Muslim ban.” How are Muslims assimilating into America? How are they reacting to the Muslim ban. Aziz is such a funny comedian, that we sometimes don’t even think that he’s thinking about these issues. But he’s only human, and it’s clear that all of his hilarious “brown people jokes” are really meant to be a biting commentary about America and its unwillingness to accept Muslims as equals.

And then, in another episode of the show, Aziz Ansari explores how it’s possible that everyday people can actually be racist in their own way. In Episode 4 of Season 2, for example, he dates a number of different girls, and the one he ends up sleeping with actually has a figurine in her home that the character Dev Shah interprets to be racist.

That raises an interesting question – especially from a social commentary perspective – and that’s how people can claim they have “brown friends” or “black friends” and yet still be racist. It could be that these feelings and emotions are so deep under the surface that they don’t even know that they are there. But the appearance of something seemingly as innocuous as a figurine can bring them to light.

Finally, there was one other issue raised in Season 2 that has started to get traction on the blogs and social media, and that’s the very difficult topic of sexual harassment. Despite all the claims that women are equal to men in America, it’s still the case that sexual harassment in the workplace is rampant. And that’s a topic that “Master of None” hasn’t been afraid to tackle.

So, as you can see, “Master of None” is really more than just a Netflix original comedy. It’s more than just funny insights into Aziz Ansari’s life. No – it’s really an increasingly important platform to discuss important social issues that show up again and again in daily life.

Take the example of LGBT issues. That’s something that Aziz Ansari rarely – if ever – tackles in his standup comedy routines, but it’s a topic that suddenly shows up in “Master of None.” Or take the issue of sexual harassment. Aziz may make a lot of jokes about how he is “human garbage” for the way he acts around women sometimes, but his show takes a deeper, more critical look at the issue.

Ultimately, comedy is a great tool for exploring these issues. And, as we’ve seen with Aziz Ansari and his amazing Saturday Night Live (SNL) hosting gig after the presidential election, he’s increasingly willing to take a stand on tough issues. That’s what makes “Master of None” such a great Netflix show. Even as we’re laughing, we’re also getting incisive takes on deeply important social issues.

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Why Fans Loved Season 3 of “Unbreakable Kimmy Schmidt”

When Netflix’s “Unbreakable Kimmy Schmidt” first premiered back in March 2015, it was clear that this comedy was going to develop into a cult show with a huge fan base. And so, perhaps, it’s no surprise that fans loved Season 3 of “The Unbreakable Kimmy Schmidt” as much as they loved Season 1 and Season 2. This show really delivered everything they wanted – and then some.

#1: More twisted, wacky plot lines

All you have to know about “Unbreakable Kimmy Schmidt” is that comedian Tina Fey is one of the executive producers and co-creators of the show. She is really the creative genius behind the show, and it shows up in all the plot lines of the show. Even the major premise of the show – that Kimmy Schmidt (played by Ellie Kemper) was rescued after being imprisoned for 15 years by a doomsday cult and is now living in New York City with a gay Broadway actor (Titus Andromedon, played by the amazing Tituss Burgess) – is just so wacky.

But it’s that 15-year separation from the world that makes Kimmy so endearing and lovable. It gives the show’s main actors a unique vantage point to question the world around them. Kimmy seems to question everything, and especially the Internet. She’s still fascinated by Google, and can’t quite figure out the meaning of Airbnb, asking at one point, “So, it’s basically like a sleepover with strangers?”

And the wacky, twisted plot lines include the appearance of characters like Jane Krakowski’s Jacqueline. She plays an Upper East Side society woman, but it turns out that her whole life is really just a façade. In fact, her real name is Jackie Lynn, and she’s a native American who fled her life on a Lakota Indian reservation. And to make things even more farcical – she’s dating someone who is linked to the NFL’s Washington Redskins. Everything about Jacqueline is a hot mess – like how she tries to keep the trappings of wealth even after her divorce by creating cardboard cutouts of jewelry – and that’s why fans can’t stop laughing when they see her.

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#2: The new star power of Tituss Burgess

The show might be named for Kimmy Schmidt, and she may still be the star of the show, but the one actor that everyone is talking about these days is Tituss Burgess, who plays Kimmy’s gay roommate in New York. You’ve probably seen him making all the rounds on the late-night comedy shows, and for good reason: we may be seeing a new star break out on “Unbreakable Kimmy Schmidt.”

The best example, perhaps, is the parody of Beyonce’s “Lemonade” that was touted so highly in the trailer for Season 3. In this scene, Titus Andromedon dresses up in a yellow, flouncy maxi-dress just like Beyonce, grabs a baseball bat, and proceeds to take that bat to both a fire hydrant and a car belonging to his gay lover, a construction worker who happens to be cheating on him. And just like Beyonce sang about jealousy and craziness, Titus also sings about being turned crazy by jealousy. The actual Beyonce clip with the dress and baseball bat (“Hold Up”) has been viewed more than 100,000,000 times on YouTube – and now the parody video with Tituss Burgess is also going viral.

#3: The nuanced return of the doomsday cult plot line

In the first two seasons of “Unbreakable Kimmy Schmidt,” we learn the basic back story of how she was held captive by a doomsday cult leader (played by Jon Hamm), and how she was kept in some kind of underground bunker for 15 years. But in Season 3 is where we really start to find out all the details. This makes the show much more nuanced and intriguing.

And, in some ways, the details are really dark. There’s the insinuation that Jon Hamm may have continually raped her over those 15 years – and that really gives us pause for thought. Kimmy Schmidt seems so optimistic and so naïve, that we suddenly realize how much of her past life she’s had to sublimate. There’s a dark alternative reality to all her good moods, and it involves both sexual and mental abuse.

In Season 3, the unhinged cult leader (Reverend Richard Wayne Gary Wayne, played by Jon Hamm) has a new surprise in store for Kimmy Schmidt, and that’s his plan to marry his jailhouse sweetheart, Wendy (played by Laura Dern). On the surface, Wendy seems like a very established, well put-together woman, but we quickly realize that she’s a lunatic, just like everyone else on the show.

In one plot line of Season 3, Wendy visits Kimmy, trying to convince her to sign some divorce papers so that she can marry the cult leader. That leads to a whole lot of hilarious jokes – like the need to print out the divorce papers using an outdated, archaic dot-matrix printer.

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#4: The ongoing visual and verbal jokes

“Unbreakable Kimmy Schmidt” has so much humor going on at one time, that it can be difficult to sort through it all. On one hand, of course, there are all the verbal jokes. And then there are all the visual jokes. These visual jokes are really what separates “Unbreakable Kimmy Schmidt” from other shows. In one episode, for example, a water stain on the wall becomes an ongoing sight gag.

In terms of the verbal jokes, Season 3 really distinguishes itself with all the ongoing jokes about young millennials. That’s because Kimmy Schmidt has decided to go back to college in Season 3, and somehow ends up on the campus of Columbia University in New York City, where she learns about all the strange habits of young millennial college students. One of these concerns dating – and the whole need to fill out a “consent form” if the two people plan to engage in any physical activity during a romantic relationship.

On Rotten Tomatoes, “Unbreakable Kimmy Schmidt” is a superstar show, pulling in a total freshness score of 96%. That’s just unprecedented, and it really shows how much fans loved Season 3 of “Unbreakable Kimmy Schmidt.” The show has so much going for it – the unique comedic talents of Ellie Kemper and Tituss Burgess, the diverse cast of wacky stars (including Laura Dern, Kane Krakowski and Jon Hamm), and, of course, the continued creative direction of superstar comedian Tina Fey. Fans just can’t wait for Netflix to greenlight Season 4 now.

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I Gave Up Netflix for 60 Days – Here’s the Result

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Two months without streaming a single movie or TV show on Netflix? When my co-worker first proposed this to me as a personal challenge, it seemed impossible. After all, I’m the type of person who binge-watches entire series over the weekend and who is always streaming video content on the go. But, never deterred by a challenge, I decided to give it a go. I gave up Netflix for 60 days.

WEEK ONE

Once I decided to give up Netflix for two whole months, my entertainment schedule seemed to be a disaster. This must be how people feel when they go on a juicing diet – you start to question how you can possibly follow through with it. There just didn’t seem to be anything to do with all those empty hours in front of me.

But that’s when I decided to take control of all those empty hours in my life formerly filled by Netflix. I started by actually taking a closer look at what was on live television. The problem here was that I had cut the cord with cable a long time ago, so it meant that I was limited to getting broadcast TV shows. And it meant actually looking at the TV schedule for the week and planning my time accordingly.

This was perhaps the hardest part – at least at the beginning  – of giving up Netflix. It meant that I was no longer free to consume content anytime, anywhere. It meant that I had to be on the couch right at 8:00 pm if I had any chance of watching primetime TV shows. And it meant that all of my multi-tasking habits had to be changed accordingly. If I wanted to watch TV, it meant that I had to give up my tablet or phone.

With Netflix, the great thing that I missed the most was the recommendation engine – always getting helpful tips about what to watch next. Staring at the TV in front of me, I reverted back to my old ways – just flipping channels incessantly, fervently hoping that something – anything!  – would be on TV. Only I didn’t have hundreds of channels, because I didn’t have cable. Instead, it meant that I had a handful of channels to choose from. And the commercials seemed to be everywhere! Every time I turned on the TV, there were commercials for medications that I couldn’t possibly use (or, at least, hoped that I wouldn’t possibly ever use).

WEEK TWO

By week two, I had abandoned the whole “let’s rely on broadcast TV” strategy as a way of watching content. Sure, it was fun to catch up on some of the sitcoms I had heard my friends at the office talking about, but what I really missed were all the movies. And, to be honest, there just weren’t a lot of movies on broadcast TV. Plenty of sitcoms and dramas and celebrity news programs, but no movies! And certainly not any art house cinema movies, or any quirky movies – the kinds that I loved Netflix for finding.

So I turned my attention to other things. I realized that all my Netflix binge-watching had been seriously cutting into my gym time, so I started going to the gym every other night. Previously, I might have watched a Netflix show while on the treadmill, but now I was forced to watch the monitor in front of me, showing my progress as I raced around an imaginary (digital) track.

Working out for a change was certainly good for me. Not only did I feel like I had more energy, I also realized how watching Netflix had ingrained certain behaviors in me that weren’t exactly conducive to losing weight or getting into better shape. For example, I loved to munch on chips while watching a movie at night. I bought “low fat” chips or “organic” chips, but still… chips are chips. So by cutting Netflix out of my nightly routine, I was actually helping to work wonders for my diet.

WEEK THREE

This was the week that I resolved to set up more social meetings to hang out with friends I hadn’t seen before. The first brunch date went well, but something seemed to be off – suddenly, I didn’t have as much in common with my friends. We used to talk about the latest episode of “Game of Thrones,” or discuss all the cool new movies coming out on Netflix this month, and now I was drawing a blank. As part of my “no Netflix for 60 days” strategy, I was doing my best to avoid reading any online content that might possible remind me of my glorious Netflix days.

WEEK FOUR

Was it just me, or did it seem like Netflix was inserting itself back into my life in ways that I couldn’t have imagined? All of my email newsletters seemed to have a reference to Netflix, or some new show coming to Netflix. Every time I walked down the street from my home, it seemed like there was a billboard for a new Netflix original show. My social media feeds seemed to be filled with people talking about some Netflix show. It was just 30 days in, and I was beginning to feel the effects of Netflix withdrawal.

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WEEK FIVE

OK, I admit it. Week Five was originally going to be my “cheat week.” I knew that I could get through the first 30 days without Netflix, but to keep myself going for the full 60 days, I knew that I knew some kind of Netflix fix. I still wanted to observe the 60-day ban, but wow! It was getting more and more difficult. So I started to watch Netflix trailer videos on YouTube. I started to check out which new shows and movies would be hitting Netflix at the end of the 6o-day period. And I started to gravitate toward entertainment shows on TV, desperate for some connection to my Netflix days.

WEEK SIX

This was the week that I resolved to get through an entire novel. Yes, I was going to beat this Netflix challenge by going Old School. I was going to read an entire novel, cover to cover, during all the extra hours in my schedule that I used to fill with Netflix shows. I looked through my bookshelf and found a title that I had ordered from Amazon Prime years ago, but had never picked up. This was perfect! It was going to get me through the week.

But I found that my all-digital lifestyle – consuming all content on my tablet, or streaming on my TV – had made me flabby when it came to handling a written novel. In the same way that hitting the gym had seemed strange and unnatural after such a long absence, so was actually committing to a period of reading. In silence. With no TV on in the background!

WEEK SEVEN

Two weeks, and I would be done. This was the week that I decided to fill my hours with social media. I started to check out all the “live” broadcasts that my friends were doing, and I started to check out all the Instagram Stories my friends were creating on a daily basis. But you know what? All those brief snippets of video activity only made me realize how much I really missed Netflix. You can’t fill an hour with random “live” video clips that people post on social media, and certainly not the same way you can with a Netflix movie.

WEEK EIGHT

The Netflix detox was finally over! Somehow, I had made it through the full 60 days without watching a single TV show or movie on Netflix. It was finally time to add up all the pluses and minuses to see how it had changed me.

Most importantly, this 60-day challenge made me realize more than ever before how many digital entertainment options are out there that aren’t named Netflix. Believe me, I had sampled a lot of them, and I was now more attuned than ever before to their advantages and disadvantages.

And I had become a bit sharper about life in general. Going to the gym more often had given me more energy, and watching only broadcast TV had made me watch the nightly news – something I hadn’t watched for years. And I became a bit more knowledgeable about the level of programming on primetime TV. There were actually a lot of good shows on these days!

Would I do it again? It’s hard to give an unequivocal answer to this question. Much as some people go on juicing diets, or go on a social media detox, the idea of going on a Netflix detox diet still seems like more of a stunt than anything else. I still can’t imagine not having Netflix in my life. Old habits die hard. Once a binge-watcher, always a binge-watcher. Maybe I was watching too much TV, but I always told myself that I was watching “quality TV.” Somehow that always made me feel better.  At the end of the day, I felt an affinity for the Netflix brand, and what it promised. And I loved the endless stream of content that always seemed to be available. If other people want to cut their ties with Netflix, OK, that’s fine. But I’m planning to hold on to my Netflix.

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